Beyond Fairy Tales, People’s Stories. Storytelling in Africa

Storytelling is a practice found in all cultures since the dawn of humanity. Through this medium, societies not only communicate, educate and entertain, but also preserve values, knowledge, and collective memory. While it may seem simple, storytelling is a complex art that has evolved over time, adapting to changing contexts and contemporary challenges.

With the aim of exploring these transformations and strengthening narrative skills, we launched the series INVISIBLE STORIES MADE VISIBLE. STORYTELLING IN AFRICA at the beginning of 2025. This space brings together artists, academics and communities to share experiences, techniques, and perspectives on the craft of storytelling. The initiative seeks to connect narrative practices with processes such as participatory evaluation and knowledge communication.

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Storytelling and Social Transformation: The Voice of David Noundji from Cameroon

Storytelling is a universal human practice that has accompanied us throughout history. Through narrative, cultures communicate, educate and entertain — but they also transmit values, knowledge and collective memory. While it may seem simple, storytelling is a complex art that has evolved over time and continues to adapt to contemporary contexts and challenges.

With the aim of exploring these transformations and strengthening storytelling capacities, at the beginning of 2025 we launched the series INVISIBLE STORIES MADE VISIBLE: STORYTELLING IN AFRICA. This initiative brings together artists, scholars and communities to share experiences, techniques and approaches to storytelling. It offers a space where storytelling intersects with participatory evaluation and knowledge communication.

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Storytelling and the Testimonial Series. Part 2

Storytelling is a universal feature of human culture that is used to communicate, educate and entertain. The simplicity of storytelling ensures that the audience participates and understands the messages the storyteller intends to convey. But storytelling is not simple; it is an art that has evolved and transformed throughout human existence.

With the intention of learning more about this topic and strengthening capacities for its use, we called Storytellers and asked them to share their different perspectives, as well as the different forms and techniques for storytelling. This is how we created the series “INVISIBLE STORIES, MADE VISIBLE. STORY TELLING IN AFRICA”. The series features new and old generation artists, academics, researchers and the local community showing how storytelling and evaluation can be connected in different ways, from data collection and analysis to dissemination of the knowledge generated.

Today we share the second part of the series, where Bambo Idriss Waintum presents a unique way of telling stories through painting one’s own body with natural dyes.

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Different methods of storytelling in Africa. The ‘story tellers’ and their perspectives.

At the beginning of 2024 we shared the article “The arrival of the two rivers. Scientific storytelling”, in which we analyzed the role of stories rooted in each community when it comes to linking scientific advances and the dissemination of knowledge with the work of local populations, their culture and their impact on research and -why not!- the evaluative field.

In September of the same year we reported on the lessons learned from the Retreat on Storytelling and Participatory Evaluation, that was held in Limbe, Cameroon, organized together with eBASE AFRICA. During this meeting we documented and socialized the rich African traditions of storytelling and its contribution to participatory approaches in evaluation.

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PARTICIPATORY EVALUATION AND THE 2030 AGENDA

Interest and concern over public policy evaluation have grown globally during the first two decades of the 21st century. This is reflected in various ways: (a) theoretical production and its consequent methodological reflection in the field of evaluation; and (b) the increase of evaluation practices and national evaluation policies in countries on every continent, reflected in the increase of evaluations embedded in institutions and the rise of various initiatives focused on professionalising this practice.

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DEVELOPING ACTIVE LISTENING IN EVALUATION

Hello, I’m Emma Rotondo (*), member of the Peruvian Evaluation Network. I would like to share about the importance of soft skills and facilitation skills for evaluators in evaluation processes.

One of the definitions for evaluation that I most like is that through carrying out the evaluation, society learns more about itself. Another important element in the definition of evaluation is the importance of enhancing pluralism, the different perspectives held by the participant stakeholders in an initiative. It emphasizes the importance of empowering these stakeholder groups so they can make decisions. And so they can think critically. So they can opt for and develop activities that are guided by the evaluation’s recommendations.

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Participatory evaluation testimonies from Costa Rica

Costa Rica’s Caribbean coast is known for its lush green landscapes, beautiful beaches and friendly people. But, unfortunately, it also stands out for its high incidence rates for several kinds of cancer. This prompted the region’s Health Boards (local bodies who monitor the quality of health services) to request an evaluation of cancer care and prevention services, taking advantage of the fact that at the time there was an open tender organised by the Costa Rica Ministry of Planning (MIDEPLAN) and the German cooperation programme, FOCEVAL to support capacity strengthening in evaluation.

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Inclusion in Evaluation. The Importance of Participatory Techniques

One of the challenges of participatory evaluation is that of including a broad diversity of stakeholders, many of whom have no training or previous knowledge of evaluation.

In this testimony Olga Nirenberg highlights the importance of the tools and techniques employed. These must be at the same time effective in tackling the topic and simple so as to be within the reach of all the participants. Including the voices of a vast and diverse array of stakeholders in the process is the best way towards a useful, transformational and high quality evaluation.

Olga Nirenberg has a PhD in Social Sciences (UBA, 2005) and a diploma in Public Health (UBA, 1976). A founding member of the Local Development Support Centre – CEADEL -(https://ceadel.org.ar​, 1986 – 2020), she developed the Self-Assessment Tool for Education Quality project – IACE- (UNICEF/CEADEL, 2007-2017). She has worked as a consultant/evaluator for UNICEF Argentina, the ARCOR Foundation, the Pan American Health Organization (PAHO), the World Health Organization (WHO) and the W.K. Kellogg Foundation. She has also worked in different social areas of the national government in Argentina. She has been an evaluator of extension projects and a teacher in both public and private universities and has published books and articles on social planning and evaluation. She is a member of the Argentine Network of Evaluation (EvaluAR) and of the Latin American and Caribbean Monitoring, Evaluation and Systematization Network (ReLAC). She is currently collaborating with the EvalParticipativa initiative.